I was browsing around and found some good images of The Pianocktail:




Vimeo video:
A link to a nice pic on the Scientific American web site:
http://www.scientificamerican.com/slideshow.cfm?id=grad-school-for-gadgeteer
I was browsing around and found some good images of The Pianocktail:




Vimeo video:
A link to a nice pic on the Scientific American web site:
http://www.scientificamerican.com/slideshow.cfm?id=grad-school-for-gadgeteer
A lot of people still have question about how or why web sites like Twitter are valuable. Why would anyone care? I guess the simple answer is that people do care. They care about other people and about random things that is hard for anyone to predict. I may not care about cats but I may care about kittens, which is indeed a cat but not really. So is that it, twitter is important because people talk about things that we care about? No, that is not why. Twitter is important because it is a tool, a tool that we (anyone) can use to figure out what people are talking about, doing, interested in, etc.
With that in mind, lets take a look at some interesting Twitter integration.
I recently saw this awesome example of a twitter search and visualization. Its a literal representation of Clay Shirky’s book titled “Here Comes Everybody: The Power of Organizing Without Organizations”
The web site isparade.jp allows you to see what people are saying in a new context. A cartoon animated world where clusters of people march and display their tweet. So this is a new step of group awareness and the advancement for collective action.
Its not hard to see the value of these technologies once you see them working in front of you. It would be awesome if more companies had these tools. Well maybe we will not have to wait too long. Currently, most major web sites have released their APIs which allows people to use the data and functions that the web tools offer. It allows for companies an organizations to get creative in very unique ways. Lets look at the Grammys for instance. Would Lady Gaga be interested in what people think about her?
Maybe not, but her agent sure does. Not only her agent, but other fans care as well. And who cares about fans more than the agents? Organizations like the Grammys, so let them come up with a nice visualization tool to allow people to see what everyone else thinks about a specific artist. This is a group of people being aware of their collective thoughts, actions, intentions and even feelings. http://wereallfans.com is a venue that allows people to explore what other people think of a specific artist in real time.
As it can be seen from the example above, this information can be very confusing, but beautiful at the same time. So how do we make sense of all this information. The more information we have the more confusing things get. If you have tried to organize a group of people to do something, you may have already found out that each additional group member exponentially increases the complexity of the organization process. So what do you do when you are trying to get data from every single web site that has data available for you to digest? How do you make sense of Google Zeitgeist, Yahoo Buzz, Trend feeds, Twitter, Etc? Your traditional Pie chart or line graph is not enough. You will easily go from a nice little graph:
to something that looks like a barf from a computer:
The goal is not just to show data. It is to visualize data in a comprehensive way. To accomplish this task you come up with tools to sort data for you. Maybe tools like Zoe Fraade-Blanar’s “Current” tool which organizes data into digestible visuals.
You can also use other tools like Circos which looks,
like pac man on < insert drug name here .>
Going back to Twitter; Who really cares about twitter and its potential? People who want to know a little more about everything. The new question is: how are individuals going to be able to digest 4 years of information (twitter was launched in 2006) submitted by the masses?
Soon, we will all be walking data generators and we will have apps that give us summaries of what all our actions meant. This is not too far fetched if you look at projects like Nike Plus. And people have already started looking at ways to visualize life in general like Nicholas Felton who likes to map and visualize the data he collects in his every day life:
The Exhibit “An Das Gerät!” opened on May 1st at Halle 14 in Leipzig, Germany. Leipzig is a nice city south of Berlin. There you will find the The Leipziger Baumwollspinnerei, a group of galleries constructed from a renovated cotton spinning mill. Halle 14 was among the biggest mills housing over 76,000 spindles and now it houses some of the worlds most innovative art.
May 1st was the time when all the galleries in the spinner unveiled their spring exhibits, with thousands of visitors scrutinizing the work in display. Halle 14 exhibited an international group show titled “An Das Gerät!” which translates in english to “To The Tool” which was an exhibit focusing on the new tools being used by artists around the world.
The spinning mill area is an amazing sight, the integration of modern culture with a nostalgic feel from the past that is being preserved in the architecture of the cotton spinning mill. In the distance I could read the words “An Das Gerät!” which made it clear where the group exhibit was being held.


The first thing you see when you step in the door is a spectacular library that is the home for over 30,000 art books acquired from various galleries, funds, libraries and artists looking to show their work. The Books are available for the public during regular gallery hours.


The exhibition area is a massive space in the ranks of MASSMoCA and attracted talent in the past such as The Yes Men, The Surveillance Camera Players and NYC artist Michael Rakowitz to name a few. Now is attracting artists like Stelarc, Halldor Úlfarsson, Morten Viskum and Oscar G. Torres (me).

There are two giant pis by artist Stelarc a giant gun by Barking Dogs United and a pin hole camera installation by Liisa Lounila among the twenty five artists being featured in the exhibit.



Its great to exhibit with people this talented, specially when you get to meet a few of them and share ideas and theories behind their art and art in general. I definitely got a lot out of the show. These videos give you a glimpse at the exhibit.

More, An Das Gerät! from Oscar G. Torres on Vimeo.

When technology advances, art follows. Typography has been an art form that is in constant flux due to new advances in technology.
Whenever a new technology becomes available, type forms change to accommodate the technology. We began to see this in woodtype prints and leterpress machines where individual letters would be placed next to each other to form words.


Offset printing and Digital printing followed which made the whole process a lot more efficient and less time consuming.
The age of the computer lead to an explosion of typefaces including some that did not follow the traditional type design and some that adjusted to the new technology.
Mobile phones and laptops lead to a need for type that would be clearly displayed on the low resolutions screens. The solution was pixel typefaces.
The evolution of type took a turn to the opposite direction due to a desire to have more organic and expressive design in typefaces.
Sagmeister is one of many designers who began to experiment with type in unique ways.

In a way Sagmeister consciously rejected technology. Other artists and designers decided to embrace technology.
I few months back I wrote about Bio Art and since, I have seen many projects that could be added to the genera. A project that I find to be in the fore front of innovation came in the simple form of a magazine cover.
The cover of May’s edition of Creative Review is the letter “A” with what seems like a cool Photoshop effect. If you take a closer look, you will notice that it is actually a microscopic photograph of the letter etch in a metallic surface; which happens to be aluminum.
The beautiful images of the type where generated by the collaboration of Craig Ward and Frank Conrad.
Mr. Ward initially experimented with different materials such as plastics and various types of molds that would eventually serve as skeletons for pollen cells to grow.
The result is unique imagery that was created by experimenting with materials, technology and cellular forms to generate art.
As we keep innovating and technology become more accessible by artists and designers we will see more projects like these. We can even predict that one day we will even have robots that specialize in the display of type… oh wait, such a robot exists already thanks to fellow ITPer Rob Seward.
Four Letter Words from Rob Seward on Vimeo.
Technology has shifted the way that art and design are viewed. Creativity comes from new inspirations and we can expect to see more appropriation of these breakthroughs into our everyday life.
If you are in Leipzig, Germany between May 1st to July 25, 2010 then you should check out this group show (Where I’ll be showing some work) at Halle 14 in Leipzig.
The Exhibit opens on Saturday, May 1st, 2010 @ 11:00 am.
I will have four little artbots on display along side of other amazing work by international artists such as:
MARK BAIN (US)
BARKING DOGS UNITED (GR/DE)
RODDY BELL (NO)
ENSEMBLE FÜR INTUITIVE MUSIK (DE)
KLAUS HÄHNER-SPRINGMÜHL (DE)
INGRID HORA (IT)
KIM JONES (US)
BJÖRN JUNG (DE)
DEBORAH KELLY (AU)
PAUL ETIENNE LINCOLN (US)
DAVID LINK (DE)
LIISA LOUNILA (FI)
TEA MÄKIPÄÄ (FI)
MAYWA DENKI (JP)
HEIKE MUTTER & ULRICH GENTH (DE)
ANNETTE & STEFFEN SCHÄFFLER (DE)
GEBHARD SENGMÜLLER (AT)
CLAUDE SHANNON (US)
STELARC (AU)
OSCAR G. TORRES (US)
HALLDÓR ÚLFARSSON (IS)
MORTEN VISKUM (NO)
JIM WHITING (DE)
KRZYSZTOF WODICZKO (US)
ZAFOS XAGORARIS (GR)
Four Letter Words from Rob Seward on Vimeo.
NYC Resistor is hosting “Art, Design, and the Arduino: a lineage” Curated by Alicia Gibb
March 27th, 2010 8-12pm
At NYC Resistor
87 3rd Avenue,
4th Floor
Brooklyn, NY 11217
$10 Admission
In addition to artworks using the Arduino, the first prototype of the original Arduino from the collection of Massimo Banzi will be shown.
Works include a lineage of variations, modifications and relations to the Arduino microcontroller:
Hc Gilje
Aaron Koblin
Laura Greig
Hernando Barragán
Edith Kollath
Jan Borchers & René Bohne
Becky Stern
Oscar G. Torres & Jackoon
Raphael Abrams
Joe Saavedra
Curated by Alicia Gibb
RSVPs are appreciated:
http://www.nycresistor.com/2010/03/21/art-design-and-the-arduino-a-lineage/
More about the Artists:
http://www.nycresistor.com/2010/03/21/superstars-of-the-arduino/
Google Map of show location.
View Larger Map
Jackoon at the Gizmodo Gallery 2009:
Jackoon pair Painting at Gizmodo Gallery 2009 from Oscar G. Torres on Vimeo.
A couple of years back I made the WAMI which is a simple digital wave modulation instrument, which really means that it can make a bunch of cool sounds by waving your hands over it. Last month I saw a blog post on it on MAKE zine. The WAMI Dome was a project commissioned by my friend Jim Heekin Jr. for his leisurely use =)
Jonah Brucker-Cohen Wrote a brief description of it on the Make Zine Blog.
Thanks for the shout out! =)
Wami Dome from Oscar G. Torres on Vimeo.
Jason Krugman’s Living Objects public art installation will be opening on Sunday, Dec 13th, 6pm. It is the first large public art installation in McCarren’s Park’s 100-year history. The Living Objects installation will be opening in McCarren Park at the corner of Union and Driggs in Brooklyn, NYC. A reception will follow at Light Up Brooklyn’s new location on North 11th between Bedford and Driggs.